Storyline
In a provincial Appalachian group spooky by the legacy of a Civil War slaughter, a defiant young person battles to escape the savagery that would tie him to the past.
Welcome again from the obscurity. The Hatfields and Mccoys family fight has long been a most loved theme and impulse for abstract and film ventures. Lesser known, yet at the end of the day more unfortunate and generally key, is the 1863 Shelton Laurel Massacre amid the Civil War. The novel from Ron Rash is the establishment of executive David Burris' film that investigates the aftermath of that occurrence more than after 100 years in the exceptionally provincial Appalachian slopes of Madison County, North Carolina.
It doesn't take us long to get a line on Travis (Jeremy Irvine, War Horse), a secondary school dropout with power issues who hangs out with his similarly capricious companions, including Shane (Haley Joel Osment, The Sixth Sense). We have seen numerous film portrayals of hillbillies throughout the years, so the bleak air of unemployment, detachment, absence of training, medications and absence of-trust aren't astounding, and the undercurrent of the 1863 occasion is the thing that ought to have situated this one separated.
Investment gets when educator turned-street pharmacist Leonard (Noah Wyle) takes Travis under his wing after Travis has an appalling run-in with Carlton (Steve Earle), an alternate nearby street pharmacist. Travis moves in with Leonard and his medication dependent sweetheart (Minka Kelly), and takes a genuine enthusiasm for the diaries of Civil War troopers that Leonard has gathered. These stories start an anomaly inside Travis, specifically the adventure of 13 year old David Shelton – one of the casualties of the slaughte
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